> Arpeggiators have been a common feature of synths for decades, but many modern examples can blur the lines between arpeggiator and pattern sequencer. Features that increase randomness are fine for generative music and the like, but programming these advanced arpeggiators is typically a longwinded process that lacks the spontaneous playability of a classic – yet basic – synth arpeggiator.
Getting triggered
The new BLEASS Arpeggiator, developed in collaboration with French producer Canblaster (see our interview in issue 332), flips this state of affairs on its head, delivering complex arpeggio
