November 1973. Frayed bell-bottoms were the height of fashion; Pink Floyd culminated their Dark Side Of The Moon tour and the Mariner 10 spacecraft blasted off on a mission to send back the first-ever photos of Mercury to an eagerly awaiting Earth. Meanwhile, in the little Oxfordshire village of Shipton-on-Cherwell, three visionary musicians armed with cutting-edge technology were about to alter the musical landscape forever. Edgar Froese, Peter Baumann and Christopher Franke – otherwise known as Tangerine Dream – flew from Berlin in Germany to Richard Branson’s The Manor to record an album that would change their lives and that of the many people who would hear it. It was a record that was to achieve great things, blowing minds with its sheer invention and inspiring decades of electronic music.
Peter Baumann
For Branson, it was a propitious time. Virgin Records was in the second year of its existence and riding high on the phenomenal success of Mike Oldfield’s Tubular Bells. The label’s mail order service was in full swing, providing fans in England with advance access to the cream of American imports. Never one to rest on his laurels, the entrepreneur had travelled in person to Germany to recruit his latest act. By the time they signed to Virgin, Tangerine Dream had already released four albums via German experimental label Ohr. They’d also undergone multiple changes in personnel, with founding member Edgar Froese the only constant. For their previous two long-players, however, Zeit (1972) and Atem (1973), they’d settled on what is now considered their classic line-up.
Froese was the group’s creative powerhouse and polymath; an instinctive musician who’d also studied painting and sculpture at the Berlin Academy of Arts. On tour in Spain with his first band, The Ones, Froese had performed a special concert for the
