WHEN it comes to displaying art, the options in a framer’s arsenal present an opportunity to make or break a piece. Good, clever framing can greatly elevate simple or even pedestrian works, while badly considered, off-the-peg numbers can result in a diminishing effect on paintings and prints that may otherwise be enchanting.
We spoke with Harry Burden and Emily Taylor of Frame London, a bespoke studio that has worked with galleries including the V&A and the Royal
