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TO SAY I was blown away by what I’ve seen of Red Ink, an eight-part series adapted from Angela Makholwa-Moabelo’s best-selling 2007 debut novel, would be a gross understatement.
The series is first-rate from the perspective of its casting, storytelling and directing to production value.
Of course, it is no surprise that Bomb Productions added its Midas touch to the collaboration with Britespark Films.
The South African TV and film landscape has grown in heaps and bounds in recent
