With nearly three decades of hindsight informing her opinion on Australian housing, Fiona Lynch makes the acute observation that when she first started in interior design in the early 1990s, high-end homes mimicked the clean-lined efficiencies of the corporate world.
“They were white, bright and made everyone the boss, while the real chief executives relinquished their corner offices to newly flattened hierarchies and the open floorplan,” Lynch says of early days working for Peter Geyer Design, pioneer