The Human Body at Donmar Warehouse review: Keeley Hawes is luminous on her return to the stage
by Nick Curtis
Feb 28, 2024
2 minutes
Keeley Hawes makes an impressive return to live theatre in Lucy Kirkwood’s muddled drama set in 1948, which splices the creation of the NHS together with a black-and-white British postwar film romance.
A primetime TV favourite for three decades in , and , Hawes shines here, playing a wittily jaded movie star. Though I kind of loved the play’s mix of stridency and scattiness, and the way it juxtaposes theatrical and cinematic action, it’s overstuffed, overlong and unfocused.
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