For decades, many a screenwriter and filmmaker found the task of adapting Isaac Asimov’s Foundation novels for film – with their mind-bogglingly high concept sci-fi ideas and world-building – impossible to do. It took the advent of the latest golden age of television, with its big budgets and ambition, plus major advancements in visual effects, for David S Goyer to nail the assignment with his Apple TV+ series.
Production designer Rory Cheyne tells that even before production was complete on the recent second season, he was already preparing for the third season, researching Goyer’s locale, vehicle and set-piece needs. However, he believes that it’s going to take a lot to best what he and his team achieved in season two. Here he looks back at some of
