Stereophile

FOLLOW-UP

CH PRECISION M1.1 POWER AMPLIFIER

At Stereophile, every reviewer takes a different approach to reviewing, and so they inevitably reach varied conclusions. Our work, though, is partly based on shared principles. As in reviewing wine, for example, our own tastes matter—a lot—but certain universal (though subjective) principles matter, too. This fact becomes especially interesting in follow-up reviews, in which shared principles hold even as personal preferences collide.

As long as it’s done by a different reviewer, a follow-up review always adds one new thing: another reviewer’s perspective. Usually there are other differences, too: a different reviewing system, for example, and a different room. With complex products—including the CH Precision M1.1 power amplifier,1 which I’m reviewing here—it may be used in a completely different way. A re-review may result in some new sonic insight—a new perspective on how the product sounds, something the original reviewer overlooked.

Sometimes there’s an ulterior motive for doing a follow-up review—something other than a desire to present a different perspective. That is the case here. The CH Precision M1.1 power amplifier was first reviewed in our July 2019 It is now 2024, more than four years later, and the M1.1, despite its merits and despite still being a current product, has fallen off our Recommended Components list.

You’re reading a preview, subscribe to read more.

More from Stereophile

Stereophile5 min read
Jazz
Crump, bass; five others Papillon Sounds PS 28242 (CD, available as LP). 2024. Crump, prod.; Chris Benham, Cat Evers, engs. The first impression of this record is the freshness and richness of its sonic palette. There may never have been a jazz album
Stereophile5 min read
Classical
Norma Procter (a); Ambrosian Singers, Wandsworth School Boys’ Choir; London Symphony/Jascha Horenstein High Definition Tape Transfers (1970, CD; 24/192 download). Harold Lawrence, prod.; Jerry Bruck, eng. At the 1970 session that resulted in Unicorn’
Stereophile15 min read
Balanced Audio Technology REX 500
There was a period in the 1970s when many pop ballads that should have had understated arrangements instead turned grandiose and even maudlin. Take Gilbert O’Sullivan’s sensational single “Nothing Rhymed” (a track that went deep for a pop hit, refere

Related Books & Audiobooks