This must be the place. Deep in the sheep-sprinkled Cheshire moorlands, behind an unassuming farmhouse door, a creative whirlwind awaits us. Model aeroplanes swoop from the rafters. Craft knives, toy robots, aerosols and half-finished energy drinks jostle for desk space, while an art supplies cupboard spills with tins, palettes and brushes. Perhaps most revealing of all, in this rock ’n’ roll edition of Through The Keyhole, is the paint-spattered canvas in one corner: a dead giveaway for anyone who came of age amid the bucket hats and loose-limbed beats of summer ’89.
This can only be the home studio of John Squire: sometime guitarist for Manchester’s seminal Stone Roses, latterly acclaimed visual artist, now offering a handshake and apologising for a border terrier he warns is liable to hump our leg.
But will he talk? Squire is the last enigma left in British rock. Back in the Roses’ heyday – when he was both patently unsuited to the role of guitar hero and the perfect man for the job – he hid behind his fringe, foxed interviewers with murmured wisdom, and let his life-affirming waterfalls of Byrdsian jangle, Hendrix funk, seismic blues and Northern soul do the talking.
Three decades later, Squire has only dialled up the mystique. The guitarist is seldom seen in public beyond his art exhibitions and a rare guest spot at last year’s Knebworth show by Liam Gallagher (a reprise of Squire’s cameo with Oasis at the same site in 1996). Since the second and presumably final split of the Roses in 2017, he has seemingly granted just one print interview. When Squire doesn’t have a band – which has been the case for significant stretches of his 61 years – he pulls down the shutters and leaves little more than a shadow.
Given that, nobody saw the twist coming. Last December, an album sampler codenamed TWIX dropped into select inboxes, confirming the whispers that Squire and Gallagher had been collaborating on the sly. Punky, bluesy and psychedelic, the resulting eponymous album is arguably the best thing either musician has put his name to in decades – and once we’ve tuned in to the guitarist’s signature brand of laconic charisma, his pride in the new work is obvious.
Who suggested the collaboration with Liam?
“I had a catch-up with my
