UNCUT

YARD ACT

Where’s My Utopia?

ISLAND

8/10

WHATEVER you say they are, that’s what they’re not. It’s a natural impulse of any band who have experienced sudden acclaim, and the reductive hype that goes with it, to kick hard against it creatively. Sometimes that’s to the point of commercial self-harm.

So when Yard Act’s follow-up to their 2022 debut, the Mercury-nominated, No 2 album The Overload, is peppered with sardonic self-referential asides, you’re immediately struck by the suspicion that this is their stab at leaving every party that would have them as members. The disagreeable second album, if you will.

“”, James”). As if his spiritual uncle and namesake Mark E has been reborn as an acolyte of the Arctic Monkeys, Smith relates, “”.

You’re reading a preview, subscribe to read more.

More from UNCUT

UNCUT2 min read
Uncut
HERE’S Irmin Schmidt, explaining the mercurial brilliance of Can in full flight. “Even if we improvised onstage, we always went in the same direction,” he tells us on page 19. “In a way that it became a music that was not just bullshit. It was not so
UNCUT3 min read
Joana Serrat
Big Wave GRAND CANYON 9/10 Big Wave starts with a big bang. A track called “The Cord” that in a little over three pummelling minutes upends most available notions of what to expect from a Joana Serrat record, the song ending with its chorus repeated
UNCUT7 min read
Irmin Schmidt
FOR a few years now, Irmin Schmidt has been the conscientious curator of the Can legacy – a role that has taken on added poignancy since the recent passing of Damo Suzuki, leaving keyboardist Schmidt as the last surviving member of the classic early-

Related Books & Audiobooks