Othello at Shakespeare's Globe review: arresting update set in the toxic Met Police feels horribly credible
In Ola Ince’s intimate, powerful production, Shakespeare’s study of envy, racism and misogyny is transposed with depressing ease from 16th century Venice to the contemporary . If one bold concept weren’t enough, Ken Nwosu’s DCI also wrestles at moments of high emotion with an identically-clad Subconscious Othello (Ira Mandela Siobhan).
