amember of Norwegian noise-rockers Årabrot and the white boiler suit she’s sporting onstage is slightly reminiscent of Slipknot circa 2000, but solo material has nothing to do with metal. The Swedish electroclash artist sounds far more like an intriguing meld of Everything But The Girl’s warm-sounding sophisti-pop, Björk’s stuttering, broken, glitchy trip hop, and the throbbing, thoughtful electro of Self Esteem. Slayer she’s not, but she proves just why mixed bills can be such a
