By 1973, the year in which Nektar made their most celebrated album, Remember The Future, the four virtuoso Brits who comprised the group were honorary Germans. They lived in Germany, they’d recorded three LPs for the German label Bellaphon/Bacillus, they had German girlfriends or wives, and German artist Helmut Wenske painted their album sleeves. Thanks to their mind-expanding live shows and LPs, such as their 1971 debut Journey To The Centre Of The Eye, Nektar sat at the epicentre of a vibrant, bohemian scene that drew hip young German devotees.
“The UK scene at that time was mainly based on pop music,” says Nektar’s bassist Derek ‘Mo’ Moore today. “That was all you heard on the radio. But in Germany people weren’t very interested in pop music – they wanted to listen to something new, something fresh. We loved people like Vanilla Fudge and The Moody Blues, but we tried not to listen to too much of other people’s stuff so that we wouldn’t be influenced
