The Atlantic

Tech's New Frontier Raises a “Buffet of Unwanted Questions”

If tools like DALL-E 2 really are the next great leap, it’s worth thinking about who owns that future, and what we want it to look like.
An AI generated picture of "robots painting pictures on easels detailed dystopian future sci fi landscape." (Midjourney)

I feel very weird about DALL-E 2, OpenAI’s new text-to-image artificial-intelligence engine. If you are unfamiliar, it’s a system that takes written prompts and then can produce at-times stunning high-resolution images in an array of artistic styles.

One reason I feel weird is because I don’t really understand the technology as well as I’d like. I think that I get the broad strokes. I understand that DALL-E 2 was supposedly trained on roughly 650 million image-text pairs that were scraped from the internet. And that it uses that data set to make connections between images and the words that described them. I also know that DALL-E 2 uses a process called diffusion to generate images from text. In a great article for IEEE Spectrum, Eliza Strickland described diffusion as a process “which begins with a random pattern of dots and slowly alters the pattern to create an image.”

All of that makes sense to me in the simplest sense. But go a step further, and I’m lost. Which is probably why the images that DALL-E 2 generates feel to me like magic. Intellectually, I understand that the pictures the engine returns when you type “full body photo of a horse in a space suit” are just the result of a number of assumptions of a machine that has processed a lot of images and can make connections, as well as replace one or more elements of an image with another. I know that DALL-E 2 a bit like magic. And because DALL-E 2 spits out colorful, detailed, high-resolution images, it’s an especially evocative use case of artificial intelligence, and its effects feel very profound. Other AI learning engines like GPT-3, which generates human-sounding text, are also powerful pieces of technology, but there’s something about DALL-E 2’s visual nature that elicits a particularly potent response. Typing anything you can imagine into a little box and having it render in front of your eyes in seconds feels like something cribbed from science fiction—like some kind of digital witchcraft.

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