Stereophile

WORKING THE ROOM

AS HAPPY MOMENTS IN ONE’S LIFE GO, this one was supposed to be up there: the time I first heard my stereo rig in the new, custom-built listening room in the back of my home. It had taken eight months to get to this point, starting with gutting the garage and rebuilding the floor and walls. (We kept the roof.) By the end, all-new doors and windows had been hung and treated with acoustical sealant. Extrathick drywall and mass-loaded vinyl were installed for better sound insulation. A dedicated power line was brought in.

Credit where due: The new room was my wife’s win-win suggestion. For a few years, I’d performed my reviewing duties in our living room, a good-sounding space that nonetheless had three problems. A variety of stereo gear had begun to occupy practically a third of the floor, making our digs less suitable for family use and entertaining. When my wife and kids went to bed, I couldn’t really crank the volume anymore—and I love listening at night, at (I confess) elevated volumes. Lastly, the living room sits on top of a basement, suspended over joists. I had to be careful with

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