SINCE, THE LATE 1800S, Poland has placed an unparalleled amount of attention on the poster medium, as it played a special part in public communication. The movement, which represents fine art more than global commercial consumerism, was booming after the death of Stalin in 1953 up until the end of communism in Poland in 1989 – and still is today.
It was a scene that had a huge impression on Polish native Natalia Bagniewska whilst growing up. Along with Picasso and Matisse, it has been an undeniable influence on her work today.
After a stint in London, her boyfriend (now husband) felt ready for an environment that felt calmer and more accessible than the city. Copenhagen was the perfect fit. Whilst there, Natalia worked for a graphic design studio. Along
