When Jiminie Ha, the senior director of graphic design at the Guggenheim Museum in New York, and artist Jeremy Parker stumbled on a real estate listing for a house in Newburgh, New York, it cited, almost as an afterthought, that the property had been designed by controversial giant of 20th-century architecture Philip Johnson.
The home no longer resembled Johnson’s initial design of two stacked boxes—a smaller brick box with a larger cypress-clad box perched atop it, jutting out over a