auded for its higher dynamic range, analogue photography captures the ephemeral moment with all its nuance and detail. Colour for example is true to the moment, as are the idiosyncrasies of photographer, film, light, and exposure. It is also responsive to dark room process, where on-the-spot decisions influence tone, contrast and serendipity. As Hill End Analogue (HEA) President Bill Moseley explains, “The darkroom gives more opportunity for swerves to happen, particularly when you're welcoming
