The Guardian

The Guide #110: The outsized influence of PC Music

There are woefully few grand narratives in pop music these days. Over the past 20 years, there’s been nothing even remotely similar to the thrilling scenes that defined late 20th-century Britain: punk, rave, goth, two-tone, Madchester, New Romantic, garage – genres that send hearts hurtling back to a certain time and place. Even grime – whose mid-2010s popularity explosion re-energised British music, fashion and politics – was essentially a reprise of the sound that blazed a, a term coined by writer Peter Robinson in 2011 to describe the beige, ballad-heavy wave of tediously inoffensive music – your Ed Sheerans, Adeles, Coldplays – that was smothering the zeitgeist at the time. By many metrics, it still is.

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