In the final part of this series on drawing the human form, we will focus on how some of the structures and major landmarks of the human anatomy can be identified and used within our drawings, to give us a better structure while demonstrating an understanding of the placement of the most dominant muscle groups that we can see just under the surface of the skin.
In the first two parts, we looked at a number of drawings as examples to discover a range of mark-marking approaches when working with line and techniques as we observe
