The Atlantic

A Slow, Staggering American Conspiracy

Martin Scorsese’s adaptation of David Grann’s best-selling Killers of the Flower Moon explores the rot beneath the myth of American exceptionalism.
Source: Melinda Sue Gordon / Apple TV+

When the World War I veteran Ernest Burkhart (played by Leonardo DiCaprio) gets off the train in Osage County, Oklahoma, he is walking into the turn-of-the-century boomtown of Fairfax, a bustling throng of activity that has sprung up out of nowhere following the discovery of oil. Wandering salesmen press leaflets into his hand and promise he can get rich quick; luxurious automobiles buzz around, the atmosphere pulsing with a feeling of runaway success. But as Burkhart is driven by an Osage man named Henry out to the countryside through fields of pumping derricks, he asks

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