UNCUT

END OF THE ROAD

Larmer Tree Gardens, August 31-September 3

HIS must be the largest audience we’ve ever played for,” grins drummer Greg Saunier, peering out at the sizeable Thursday evening crowd gathered in front of the main Woods Stage. It’s exactly the sort of meeting of minds EOTR was made for: a band of possibly selective appeal – such are their disjointed songs of math-rock virtuosity, blasts of beastly riffs and delicate Björkmeets-Yoko vocals about death and onions – playing to an attentive crowd of sonic aficionados hungry for a challenge. As they segue their math-rock version of the theme into Eddie Grant’s “Electric Avenue”, it’s clear we’re in for another

You’re reading a preview, subscribe to read more.

More from UNCUT

UNCUT3 min read
Robin Trower
Bridge Of Sighs CHRYSALIS 9/10 IT’S 1974 and blues rock is badly in need of a new guitar hero. Hendrix and Duane Allman are dead, Clapton and Peter Green are missing in action and Jimmy Page was last heard essaying reggae and doo-wop pastiches on Led
UNCUT1 min read
“We Were All In Tears”
WHEN Slowdive were asked to play Barcelona’s Primavera Festival on May 30, 2014, it signalled one of rock’s most unlikely second acts. “We were all in shock that we were doing it,” says Neil Halstead. “We did a few gigs leading up to it, but nothing
UNCUT13 min read
This Is A Call
THE first time Mdou Moctar heard electronic drums, he thought they sounded like a war breaking out. The towering guitarist was nine years old. He and his friends were killing time outside the school gates in Arlit, a dusty mining town in the north of

Related Books & Audiobooks