he first striking thing about Los Angeles artist Shio Kusaka’s exhibition at David Zwirner Gallery is the unusual presentation: the pots are placed on the floor on a series of thin square copper plates of varying sizes that stretch down the middle of the warehouse-like space of more than 3,000 square feet, or about 303 square meters. They command the space, both because of their soldier-like order and, of course, because there is nothing else to look at in the vast space except for an attendant sitting in a corner. Order, in fact, may be a key word. Not only do the pots march through the space,
