On the day I visit the March Studio office in North Melbourne, a metropolis is under construction. A cityscape of balsawood models – preparation for a forthcoming book project – fills their studio, each neat street of miniatures revealing the dynamic forms and intriguing angles that characterize the practice’s work.
To those familiar with their designs, it will come as no surprise that the making of architecture is close to the studio’s heart.
“Constructability is key for us – houses are often about how you engineer them more than anything else,” says director Rodney Eggleston. “Rather than starting by drawing a plan, we always start by modelling, understanding structure and how it can sit on
