Family albums are the starting point of the series (2022) by Carlos Idun-Tawiah, who draws on the semiotics of earlier Ghanaian photographers’ work to create his own visual language. It’s a language that resonates with a bygone time but is also deeply contemporary. Incorporating to to , Idun-Tawiah’s photographs emit the highly stylized tone of editorial spreads and, at the same time, the intimacy of personal pictures of friends and loved ones.
