For most people, time is linear—perpetuated by calendars, annals, and other historical recording devices. For others, it is merely an illusion. As artists engage creatively with time-based media, alternative forms of experiencing durational or chronological shifts begin to emerge. But what possibilities of historical experientiality might be elicited by such temporal orientations? And how can the various photographic or videographic mediums interpret and complicate time-related experiences, such as
Nontawat Numbenchapol, Kridpuj Dhansandors, Rungruang Sittirerk, and Viriya Chotpanyavisut Uncountable Time
Sep 06, 2023
2 minutes
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