In “mOTHERTONGUE,” everything was a provocation. A collection of cultural and linguistic artifacts, this exhibition was an exploration of two decades of Mithu Sen’s career, spanning 40 artworks and 12 new commissions. Curated by Max Delany for the Australian Centre of Contemporary Art (ACCA), it was imbued with a sense of urgency and controlled chaos that consumed the space. And just as the form of the
