“Several Reenactments” was Korean-born Haegue Yang’s first solo exhibition in a Belgian museum and acted as a (or “total work”) in which different situations were (re-) staged to unpack the various semantic layers of the artist’s oeuvre. Comprised of diverse yet cohesive elements—including installations, videos, and musical interventions that organically coexist and overlap—the show generated new meanings in which each artwork stood alone while making indirect and direct visual and cultural
