I FIND PAINTING PORTRAITS from life endlessly fascinating. Taking advantage of the depth of colours and values that are observed in nature is one of the most rewarding challenges for an experienced painter, and a great learning opportunity for the aspiring artist. However, it might be difficult to find the right model whilst working from photographs. When selecting a photograph, make sure it’s well-lit, has clear light and shade, and that the lights aren’t too bleached or the darks too dead. If you’re looking for high-quality photos, then Raw Umber Studios has a wide selection on their website.
Usually, I employ a technique called ‘direct. The main difference between painting (in one session) and ‘direct painting’ is the fact that the latter makes use of multiple layers. While direct painting can be challenging, especially for beginners, it offers a rewarding and dynamic approach to oil painting. It encourages artists to embrace experimentation and develop a heightened sense of observation. Through direct painting, artists can convey not only the visual aspects of their subject matter but also their personal interpretation and emotional response to it. Although, to be able to paint in such a manner, the artist has to develop confidence in drawing with brushes directly on the canvas. It also requires the ability to accurately mix colours and values on the palette without relying solely on glazing.
