Edvard Munch Lightens Up
Edvard Munch, 1863–1944, was a zeitgeist conductor. Like Dostoyevsky before him, like Kafka after him, he was one of those somewhat hastily assembled humans—the skull plates not stapled down, the nerve endings dangling—who get chosen by the daemon of history to bear its message into the world.
Poor bastard. “You paint like a pig, Edvard!” yelled a young realist named Gustav Wentzel, getting in Munch’s face at an 1886 exhibition in Kristiania (now Oslo) that featured his painting . “Shame on you.” Munch, at the time, was penniless. His best friends were nihilists. Also alchemists, sadists, diabolists, absinthe fiends, and the occasional haunted dramatist. Ibsen came to his 1895 exhibition, the one that sparked a public debate about Munch’s sanity, and growlingly counseled him: “It will be with you as it
