It’s early June when Prog video-calls Voyager frontman Danny Estrin, guitarist Simone Dow and bassist/singer Alex Canion, and the trio are midway through being smashed back into reality. This time last month, the Perth-based band (rounded out by drummer Ashley Doodkorte and Dow’s co-guitarist Scott Kay) were jet-setting in luxury. They were traipsing across Europe and getting interviewed by countless glossy magazines, all part of the run-up to them representing Australia to more than 160 million TV viewers live at the Eurovision Song Contest. Now they’re back home – and getting hammered by a storm so violent that it routinely wipes out their internet connection and freaks out Canion’s dog, Seamus.
“We played the WA Day festival [in Perth] yesterday,” Dow tells us, camera off to put less stress on the struggling WiFi, “and our booking agent sent us a video of the backstage area after we left. You should have seen the flooding! It was insane!”
Although Mother Nature is trying to quite literally rain on their parade, there’s no denying that Voyager became progressive music’s newest superstars this spring. Eurovision is touted worldwide as an international celebration of top-shelfsongwriting (despite it frequently showcasing the most OTT pop possible) – and the synthprog quintet had been chasing that rainbow from the moment Australia joined, in 2015. They came tantalisingly close with their pop-prog anthem in 2022, finishing second in , the nationally televised competition to select the country’s representative. This year, they finally got sent to the semi-finals when they were held in Liverpool, thanks to the electro-rock singalong of .
