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Winging it

Samuel Hazell says capturing birds with a long lens can be a calming experience

During the Covid-19 pandemic a couple of years ago, I began to delve into wildlife photography to alleviate my anxiety. I discovered that the process of capturing unique wildlife images not only required patience and dedication but it also helped clear my mind during those challenging times.

Since then, I have dedicated myself to honing my skills both in the field and behind the computer screen, crafting and refining my own unique approach to wildlife photography. This ongoing journey has allowed me to develop a distinct style that encapsulates my personal vision of capturing wildlife.

I have immersed myself in the art of post-processing, using software such as Lightroom and Photoshop to ensure that each image reflects my artistic interpretation of the natural world. As I continue developing my photography skills, I am excited to experiment with new subjects and equipment.

But I also want to use this interesting genre of photography to help people struggling with anxiety. I’m hoping I can demonstrate how it can be used to help people cope when feeling overwhelmed.

Instagram: @sam.hazellwildlife

Get set up for bird photography

1 Create some foreground

To enhance my shots and grab the viewer’s attention, I’ll use foreground elements as frames. Whether it’s branches, grass or water, these foreground features direct the focus towards the subject while also concealing distractions in the image. I often use things close to the lens so that they are out of focus; this can lead to a more seamless image.

2 Use separation to isolate your subject

I’m frequently asked how I manage to achieve such smooth backgrounds in my shots. The secret lies in creating a separation between the subject and the background, boosting defocus and emphasising the subject. If needed, I’ll use Photoshop’s blur tool to further soften the background. These two methods combined offer beautifully smooth backgrounds.

3 Monopod or tripod?

I often opt to use a monopod rather than a tripod as they offer the perfect balance of stability and versatility. Monopods are quick to set up and they have a full movement range, which is ideal for capturing fast-moving subjects. They’re compact, so I can shoot handheld if needed, and they are also a breeze to carry around with me over long distances.

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