Why Is Tracy Chapman at the Center of a Country-Music Controversy?
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What is the most constructive way for the press to cover race if its objectives include accurately informing citizens about the past and the present––no matter how awful or uncomfortable––and refraining from framing the news in ways that are needlessly polarizing or essentialist?
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Conversations of Note
On April 6, 1988, the singer-songwriter Tracy Chapman released a self-titled album that ranks among the best debuts––hell, the best albums––ever, in large part because of the singles “Talkin’ Bout a Revolution,” the demo of which got her the record deal, and “Fast Car.” Summon every flawless lyric and guitar riff to your mind’s ear, or else go stream it now.
How undeniable was this album and its biggest hit single? Within its first two weeks, Tracy Chapman sold 1 million copies. It peaked at No. 1 on the U.S. Billboard 200. It has been certified platinum six times over. It was nominated for six Grammys, including Album of the Year. Chapman won three: Best Contemporary Folk Album, Best New Artist, and Best Female Pop Vocal Performance for “Fast Car.” The album warranted superstar acclaim and riches for its theretofore unknown creator––and it got them from the start.
In a testament to the music’s broad appeal and timelessness, and “Fast Car” also rocketed to No. 1 in multiple foreign countries, and every so often, when a new generation discovers it, lightning strikes again. In 2011, “Fast Car” reached No. 4 on the U.K. Singles Chart when it was covered on . And. “I never expected to find myself on the country charts, but I’m honored to be there,” she said. “I’m happy for Luke and his success and grateful that new fans have found and embraced ‘Fast Car.’” that the cover has earned Chapman roughly $500,000 in publishing royalties thus far. that she will be the first Black woman “to have the sole songwriting credit on a Number One country hit.”
