t Bruce Springsteen’s recent show in Edinburgh, a fan managed to hand the 73-year-old rock icon a copy of his dissertation about masculinity. Pondering the masculinity of the Boss is logical: his themes include brotherhood, father-son conflict and the trials of physical labour; his songs are populated with downtrodden blue-collar workers, suicidal firefighters, forgotten soldiers returning from various wars, and economically disempowered men driven to murder. Indeed, he’s seen as one of the
