The American Poetry Review

FIVE POEMS

The Color of Us

I’m looking at a photograph of a bearded Romaine Tenney on his hay mowerhitched to draft horses in a half-cut field. Tenney, whose Vermont farm was slatedto be swallowed by Interstate 91, immolated himself, rather than be forciblymoved. My son says, I may go off for an adventure, but I will always come backhere! He points to the ground. Tenney went off to war, came back. Didn’t everleave again. He was offered resettlement funds when the interstate was zoned,but what would such funds mean to someone partnered with a specific meadow?Our neighbor’s barn is full of hay despite it having been inordinately wet—sowet mushrooms explode across the forest floor. Tiny fungi are probably sproutingright now in the hay bales, too. Meanwhile, chanterelles sit in wet towels in ourfridge. Inside dead trees, fungi battle, erecting zone lines, secreting pigments ofobnoxious hues. Such spalting is also evident in humans as differing skin, hair,and eye colors. Place colors us. Cornrows are canerows in the Caribbean. WhenI was growing up in Vermont, kids used to close the bus windows whenever wepassed The Stinky Farm. A boy named Cecil with an enormous cowlick in hissandy hair got on at that stop. I always envisioned the cows licking him. Tenney,even in arthritic pain, refused the electric milk machine neighbors tried to foistupon him. He milked by hand and let all his animals go before setting fire to hishouse with him in it. The rain is soft. I wish I knew where to put grief. Thereis nothing, no gutter. Everything floods. The confusion is even nature’s own.The earth’s eminent domain is unarguable. She’ll right herself somehow, butwill we? This summer my son and I built a paddock for the dog, felling deadtrees for posts with a handsaw and an ax. That was when April called, out ofbreath. Get a second opinion, I told her. This was after April’s mother died.April hadn’t known what to do with her mother’s house in a neighborhood thatwouldn’t give her its worth. Eventually, she settled for a security camera. Weknow ‘homelessness’ is a measure of belonging, not a lack of home ownership, she oncewrote. When forcibly removed from any real relationship with place, person,animal—who, then, are we, April?

You’re reading a preview, subscribe to read more.

More from The American Poetry Review

The American Poetry Review3 min read
from SCENES FROM LATIN POETRY
Qui tacet consentire videtur. Silence gives consent.Veritas odium parit. Truth creates hatred. You know how you can know some thingsbut forget you know until it’s time to remember.Mom met her third husband Billy whenshe was a teacher helping convicts
The American Poetry Review2 min read
Six Poems
a golden shovel after Richard Wright To realize a girl blossoming is to figure purpleas disquiet. A flower forgotten (even an artichoke)if only to safekeep. In time, the daughter becomes agranddaughter budding in the darkof the mind’s cupboard. a gol
The American Poetry Review2 min read
Four Poems
In the middleof spring, in the centerof the thicketa family of finches are making a slogof dinner, wormsthat, pulled outof the ground become somethinglike an elegiacwitness to hunger,the birds’ hunger, the thicket’s starvation,the yellowed grass’sthi

Related Books & Audiobooks