THE NEW SEASCAPES and landscapes in Amy Lincoln's cosy studio, a skylighted converted garage behind her house on a quiet street in Queens, New York, burst with blues and magentas so vibrant, yellows and reds so brilliant, they'd make fireworks jealous. There are pink raindrops, green clouds and purple earth, lit by sunrays beaming down or radiating outward in concentric circles. The paintings, destined for a solo show opening at Sperone Westwater in New York in February, practically glow, as if illuminated on a giant iPhone.
For Lincoln, that's no coincidence. Since creating a website for her art in the early 2000s, she has aimed to
