ilan, sometime in the 1970s. Architect Vittoriano Viganò is planning a construction intervention on the ground floor of a residential dwelling between the courtyard and garden of a neoclassical building that once belonged to the Milanese dialect poet Carlo Porta. Viganò, a master of Italian brutalism, does not yet know that he will design one of the most iconic, fluid and elegant spaces conceived from the post-war period to the present day. The theme underlying the project is
