Australian House & Garden

CREATIVE framework

What would this room be like in the 19th century? It’s a question Annie Kelly asked herself while creating her office in her inner-city terrace. “I had an idea in my mind that I wanted to bring to life,” this writer and interior decorator tells me as we stand in the room, with its views over gum trees and the red terracotta tiled roofs that signify where we are almost more than any other architectural vernacular: Sydney.

Downstairs her husband, photographer Tim Street-Porter, is seated at the dining room table, checking his emails. “When we are in Los Angeles, his office is as

You’re reading a preview, subscribe to read more.

More from Australian House & Garden

Australian House & Garden4 min read
Coastal Character
Pavilion cladding, Sculptform. Joinery in American White Oak veneer, Briggs Veneers, and Dulux Whitsunday Island. Rangehood in Eveneer Ravenna, Elton Group. Benchtops in Faustina quartzite, Artedomus. Splashback tiles, Barefoot Living. ‘Indi’ pendant
Australian House & Garden3 min read
Masthead
Editor in chief Tanya Buchanan Creative director (acting) Marissa Foye Deputy editor Karen Spresser Chief copy editor Peter Griffiths Senior copy editors Bethan Lacoba, Debbie Duncan Art director Andrea Healy Stylist Sophie Wilson Prepress specialist
Australian House & Garden2 min read
Diversity In The Garden
When I first started gardening, I identified with English and French formal gardens and their clean, orderly lines, with endless topiary and pleached hedging with one or two flower types. The gardeners I spoke to always talked about pests and disease

Related Books & Audiobooks