In Gina Osterloh’s photographs, there are subjects but no faces. Bodies are pitched at sly angles or obscured by sundry materials, boxed into sparse rooms with impossible vanishing points. These abstract scenes and their solitary figures are usually staged more as tableaux than conventional portraiture, but even to wonder at which point the former arrangement becomes the latter is to ask: Where, in
Gina Osterloh Pressing Against Looking
Jun 06, 2023
2 minutes
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