When she was four or five years old, Priya Suresh Kambli watched her mother cut out her own face from family photographs. Kambli’s mother left the pictures of her daughters, Priya and her elder sister, Sona, intact. This act of simultaneous erasure and preservation fascinated Kambli. Decades later, she brings the same dialectic into play when creating her own artworks drawn from family photo-albums.
Kambli was born in 1975, in the Indian
