Sound & Vision

ALL QUIET ON THE WESTERN FRONT

RATINGS

REFERENCE

EXCELLENT

GOOD

FAIR

POOR

After several Hollywood adaptations for both the big and small screens, Edward Berger is now the first German director to adapt his countryman Erich Maria Remarque’s anti-war novel All Quiet on the Western Front. Here, Paul Bäumer (Felix Kammerer) is a young German man who finds himself caught up in the patriotic fervor of World War I Germany and, along with his friends, enlists in the military to fight. Upon arriving at the Western Front against France, Paul and his friends are confronted with the reality of trench warfare, which is vastly different from the glory they imagined.

Like Sam Mendes’ 1917 and Steven Spielberg’s Saving Private Ryan, Berger’s film does not shy away from the visceral violence of war. Despite the severed limbs, dead bodies strewn across the battle-fields, and muck-ridden soldiers, the film saves some of its most forceful scenes for the quieter moments when the men are having a rare moment of peace. One scene in particular—after our group has stolen a turkey from a local French farmer and now share the best meal they have had in what feels like forever—shows humanity’s will to survive and find joy even in the harshest of circumstances.

A subplot that does not appear in Remarque’s novel has been added to the film, that of the military and political officials trying to negotiate a détente. As things begin to look like they may finally turn around, the war-hungry military is determined to get as much killing in as it can before any ceasefire. I laud this as an example of modifying the original source for the better as it serves to underscore the story’s message of the futility of war. Remarque’s anti-war theme and the notion of an impossible peace still strike a resonant chord today just as it did upon the book’s publication almost a century ago.

is a visually and aurally stunning masterpiece that drives its point home brilliantly. The movie was shot on a variety of Arri, RED and Sony digital cameras in 6.5K and 4.5K and is brought to 4K Ultra HD disc from a 4K digital intermediate framed at 2.39:1 in a HEVC 2160p Dolby Vision encodement. The image leaves nothing to be desired and is a noticeable improvement over the Netflix 4K stream. We get a clean, crisp image with extended depth of field and textures in clothing, dirt, and skin that look tactile. The Dolby Vision

You’re reading a preview, subscribe to read more.

More from Sound & Vision

Sound & Vision1 min read
Get The Digital Edition Today!
ANYTIME. ANYWHERE. ANY DEVICE! ► Searchable Content ► Instant Delivery ► Mobile Library ► View on Any Device Subscribe online today SOUNDANDVISION.COM ■
Sound & Vision2 min read
Footloose
UPON ITS release 40 years ago, Footloose thrilled audiences with its spirited dancing, electrifying soundtrack and inspiring story about a Chicago city-boy, Ren McCormick, who arrives in an uptight small town where dancing has been banned due to its
Sound & Vision2 min read
Little Darlings
RETURN WITH us to a halcyon age of cinema when mature subject matter wasn’t forbidden, it was simply rated R. So it was with Little Darlings, a surprisingly sweet and remarkably honest snapshot of adolescence circa 1980. There’s no real violence or p

Related