Guitar Techniques

MITCH DALTON

It’s a common assertion. Guitar players are poor sight readers. Okay, you'd be forgiven for developing a spontaneous inferiority complex upon first exposure to a studio orchestra. Marvel as the string section slaloms through an arrangement of demisemiquavers at the speed of fright. Respect the timpani player who counts interminable bars rest and then makes their entry bang on cue. Tip your hat to the piccolo player who skates through their part seemingly effortlessly with a sound that can cut through granite. “What’s my problem?” I hear you cry

You’re reading a preview, subscribe to read more.

More from Guitar Techniques

Guitar Techniques2 min read
SUBSTITUTE Jazz Voicings
EVEN THE MOST ‘ROCK AND ROLL’AMONG US have probably marvelled on occasion when hearing the harmonic possibilities coaxed out of a guitar by the likes of Joe Pass, Barney Kessel, Wes Montgomery and Tal Farlow. While this feature doesn’t claim to be th
Guitar Techniques3 min read
7th Chords
The fretboard can be a complicated terrain to navigate. Many notes can be played at the same pitch in multiple positions, and the third and second strings are tuned a Major 3rd apart, whereas the rest are tuned to the interval of a 4th. With this in
Guitar Techniques5 min read
Roman Bulakhov
GT: What is it about guitar instrumentals that appeals to you? RB: Guitar for me is the same thing as a vocal for the singers - the ability to tell the story, to express feelings and emotions through the music. I don’t feel guitar music as only instr

Related Books & Audiobooks