arrange tracks like a pro
Considering how the different instruments and elements of your track interact with each other is all well and good, but now we need to focus on the cental philosophy that you should take when arranging. It’s not all about finding a position for your instruments within a frequency range (that comes with the mix stage); instead, it’s about how we choose to sit our track elements in service of the drama and impact of the track.
There’s no point in a killer hook without a context
This is where the arrangement process bridges both the writer’s intent and the mix process. How we section and structure our song ultimately determines how successful it is. There’s absolutely no point in writing a killer hook, a kinetic bassline
