When Los Angeles-based photographer Catherine Opie was eight years old, she completed a school assignment on early 20th century American photographer Lewis Hine. Soon after, she requested a camera for her ninth birthday. She has been photographing the world around her ever since. Family, friends and community have remained consistent subjects in her visuals, and it is this desire to document community and the constructs of identity that endures as a staple of her photographic practice.
For over 30 years, Opie has been amassing an immense oeuvre covering queer portraiture, ceramics, abstract landscapes,