New Zealand Listener

Diversions & Puzzles

PRIVACY NOTICE

This issue of NZ Listener is published by Are Media Limited (Are Media). Are Media may use and disclose your information in accordance with our Privacy Policy, including to provide you with your requested products or services and to keep you informed of other Are Media publications, products, services and events. Our Privacy Policy is located at aremedia.co.nz/privacy. It also sets out how you can access or correct your personal information and lodge a complaint. Are Media may disclose your personal information to its service providers and agents around the world, including in Australia, the US, the Philippines and the European Union.

In addition, this issue may contain Reader Offers, being offers, competitions or surveys, which may require you to provide personal information to enter or to take part. Personal information collected may be disclosed by us to service providers assisting Are Media in the conduct of the Reader Offer and to other organisations providing special prizes or offers that are part of the Reader Offer. An opt-out choice is provided. Unless you exercise that opt-out choice, personal information collected

You’re reading a preview, subscribe to read more.

More from New Zealand Listener

New Zealand Listener3 min readIntelligence (AI) & Semantics
The AI You Can’t Turn Off
The demise of Facebook has long been predicted, but just like NewstalkZB, it actually gets more entrenched as its audience ages. Facebook was used by 79% of New Zealanders aged 16-64 last year, a rate of usage among the highest in the Western world.
New Zealand Listener12 min read
Taken For A Ride
It’s a pleasant Thursday evening in central Auckland and a portable canopy outside the Aotea Centre is steadily filling up with bikes. Volunteers from Bike Auckland, the city’s venerable cycle advocacy group, are running free “valet bike parking” for
New Zealand Listener2 min read
Wild At Heart
Irish author and critic Sinéad Gleeson’s 2019 collection of essays, Constellations, was an unflinching and generous look at trauma, illness, pain, faith, pregnancy and motherhood, with thunderbolt flashes of art criticism and political commentary. He

Related