‘Mulattic sonata written for the mulatto Brischdauer, a complete lunatic and mulattic composer’. The inscription written on the autograph manuscript of Beethoven’s Violin Sonata No. 9 in A major undoubtedly ranks as one of the oddest in classical music history, using language that would be largely regarded as offensive today.
The individual referred to in Beethoven’s jesting dedication was George Bridgetower,precocious career during his early years in England. Arriving in Vienna in April 1803, he immediately started socialising and establishing musical connections. Beethoven first heard him play in a quartet evening at the home of violinist Ignaz Schuppanzigh. The two hit it off immediately, the 32-year-old Beethoven no doubt attracted by Bridgetower’s exuberant, fun-loving personality. They enjoyed drinking together and at some point a joint, collaborative venture was suggested – might Beethoven possibly be interested in writing a new work for one of Bridgetower’s forthcoming concerts in Vienna?
