N-Photo: the Nikon magazine

New gear

Sigma 16mm f/1.4 DC DN | Contemporary

£TBA/$TBA www.sigma-imaging-uk.com

At long last, Sigma has joined Nikon’s mirrorless revolution! The long-established lens-maker has announced its very first Z-mount lenses in the form of three super-fast primes: this 16mm f/1.4, along with 30mm and 56mm f/1.4 lenses (see across the page for a more in-depth look.)

While these are DX lenses designed for Nikon’s growing roster of APS-C Z-series cameras – the Nikon Z 50, Nikon Z fc and Nikon Z 30 – they should be compatible with FX Z-series cameras too, which will automatically crop to work with the smaller field of view.

While we’re awaiting detailed specifications for the Nikon-fit versions, the trio of lenses are already available in a wide variety of other manufacturers’ mirrorless mounts – and the Canon-fit variants performed – so we have a pretty good idea of what to expect. Each lens features a super-quick maximum aperture of f/1.4 and sits within Sigma’s Contemporary range, which the Japan-based manufacturer cites as, “featuring the very latest technology, and combining optical performance with compactness”.

You’re reading a preview, subscribe to read more.

More from N-Photo: the Nikon magazine

N-Photo: the Nikon magazine5 min read
Props, Pose And Party!
Photo booths have become hugely popular and you’ll often see professional setups at big events. But with a few simple skills, a DIY booth can yield results that are just as good. If you want to set one up – perhaps for a wedding or party – then you’l
N-Photo: the Nikon magazine17 min read
Setting New Standards
We’ve been heavily into prime time over the past three months, focusing our Big Test attention on portrait, super-telephoto and wide-angle prime lenses. You could say we’ve saved the best until last, and we’d be the first to agree. A standard prime w
N-Photo: the Nikon magazine3 min read
Master Luminosity Masks
Luminosity masking is a powerful editing≈technique used for selective tonal adjustments. It’s often favoured by landscape photographers because it offers a fine degree of control over the brightness of different tonal ranges. Essentially, luminosity

Related Books & Audiobooks