The Atlantic

A Biting Satire About the Idealistic Left

Eleanor Catton’s new novel, <em>Birnam Wood</em>, pokes at the pieties of those who want to change the world.
Source: Illustration by Daniel Zender / The Atlantic; Getty

Ask me how much time and money I have devoted, in my adult life, to conscious efforts to be a good person, and I would struggle to quantify it. Of course, I would also struggle to tell you what “being good” means. My ideas seem to change constantly, which means the target shifts. Besides, the world I inhabit does not make goodness easy, for me or anyone else. I put clothes I no longer wear in giveaway bins run by a profoundly inefficient nonprofit; I assiduously recycle despite reports that my plastic is likely “headed to landfills, or worse”; I sign up for shifts at a food bank, then cancel because I have to work. If I were giving away more money, or more of my time, my efforts would surely be wobblier or more questionable still.

, the third novel by the New Zealand writer Eleanor Catton,, an intricate, glowing love story set during New Zealand’s gold rush. , in contrast, is dark in both its outlook and its omnipresent humor.

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