“. . . the body and emergent electronic technologies.”
was the title of an exhibition curated by Stephen Jones at Sydney Non-Objective (SNO) Contemporary Art Projects in the autumn of 2016. This show gazed meticulously back upon documentation of Cullen's oeuvre, through video recordings, the artist's notebook drawings, and other material. One could venture that, through the intimacy which suffuses is also the title of an exhibition on Cullen at McClelland Sculpture Park+Gallery, curated again by Jones, and with a similar project newly inflected by its institutional context.
