TOM VERLAINE, WHO died January 28 at age 73, had an approach to playing guitar that was never easy to describe. Post-punk, art rock, art punk, whatever; it was one of Verlaine’s great creative achievements that over three studio albums with Television, and a prolific solo career, he was able to unshackle his style from labels. Hard to define, sure, but you know it when you hear it.
The sound he pioneered in Television, along with second guitarist Richard Lloyd, had a propulsive yet cerebral power, grandiose yet melancholy, intense yet epic. Based in New York City, where they regularly performed at legendary club CBGB, Television had an energy and attitude that suggested punk. What came out of the speakers, however, would challenge that conclusion. There was nothing quite like it.
Maybe this is what happens when you approach the guitar from a different perspective. The instrument was not Verlaine’s first love. When he was a kid growing up in Delaware (although he was born in Denville, New Jersey), he started out on piano before picking up the saxophone as a young teenager. He liked symphonies. He liked jazz. Speaking to in 1993, Verlaine confessed that he hated guitar music for years.
